Many book publishers let their clients think the publishing house is working on behalf of the author and artist. In fact, publishers are constrained by business demands and therefore think first of the financial risk they are taking. I have more than 30 years of experience negotiating book contracts in which I’ve corresponded with countless authors and artists and heard the questions they had regarding their contracts. As a result, I’ve gained a clear perspective on what writers and illustrators are really concerned about before they sign on the dotted line—and also what they should know.
If you’re a new author who’s just been given your first literary contract, you’ll find lots of great information and tips on my site regarding contract terms and conditions, pros and cons, and negotiable agreements.
Over the course of my contracts career, I developed a reputation for looking out for the author and artist and for going beyond the conventional duties of a contract negotiator, putting authors directly in touch with business managers and providing answers to questions authors didn’t even know they were in a position to ask. My years of experience in the traditional publishing environment have given me extensive familiarity with both sides of contractual obligations and advantages.
For personal service with your contract, please review my Consultation Services page and give me a call.
